1. Where have you hidden,
Beloved, and left me moaning?
You fled like the stag
after wounding me;
I went out calling you, but you were gone.
2. Shepherds, you who go
up through the sheepfolds to the hill,
if by chance you see
him I love most,
tell him I am sick, I suffer, and I die.
3. Seeking my Love
I will head for the mountains and for watersides,
I will not gather flowers,
nor fear wild beasts;
I will go beyond strong men and frontiers.
4. O woods and thickets,
planted by the hand of my Beloved!
O green meadow,
coated, bright, with flowers,
tell me, has he passed by you?
5. Pouring out a thousand graces,
he passed these groves in haste;
and having looked at them,
with his image alone,
clothed them in beauty.
6. Ah, who has the power to heal me?
now wholly surrender yourself!
Do not send me
any more messengers,
they cannot tell me what I must hear.
7. All who are free
tell me a thousand graceful things of you;
all wound me more
and leave me dying
of, ah, I-don't-know-what behind their stammering.
8. How do you endure
O life, not living where you live,
and being brought near death
by the arrows you receive
from that which you conceive of your Beloved?
9. Why, since you wounded
this heart, don't you heal it?
And why, since you stole it from me,
do you leave it so,
and fail to carry off what you have stolen?
10. Extinguish these miseries,
since no one else can stamp them out;
and may my eyes behold you,
because you are their light,
and I would open them to you alone.
11. Reveal your presence,
and may the vision of your beauty be my death;
for the sickness of love
is not cured
except by your very presence and image.
12. O spring like crystal!
If only, on your silvered-over faces,
you would suddenly form
the eyes I have desired,
which I bear sketched deep within my heart.
13. Withdraw them, Beloved,
I am taking flight!
the wounded stag
is in sight on the hill,
cooled by the breeze of your flight.
14. My Beloved, the mountains,
and lonely wooded valleys,
and resounding rivers,
the whistling of love-stirring breezes,
15. the tranquil night
at the time of the rising dawn,
the supper that refreshes, and deepens love.
16. Catch us the foxes,
for our vineyard is now in flower,
while we fashion a cone of roses
intricate as the pine's;
and let no one appear on the hill.
17. Be still, deadening north wind;
south wind, come, you that waken love,
breathe through my garden,
let its fragrance flow,
and the Beloved will feed amid the flowers.
18. You girls of Judea,
while among flowers and roses
the amber spreads its perfume,
stay away, there on the outskirts:
do not so much as seek to touch our thresholds.
19. Hide yourself, my love;
turn your face toward the mountains,
and do not speak;
but look at those companions
going with her through strange islands.
20. Swift-winged birds,
lions, stags, and leaping roes,
mountains, lowlands, and river banks,
waters, winds, and ardors,
watching fears of night:
21. By the pleasant lyres
and the siren's song, I conjure you
to cease your anger
and not touch the wall,
that the bride may sleep in deeper peace.
22. The bride has entered
the sweet garden of her desire,
and she rests in delight,
laying her neck
on the gentle arms of her Beloved.
23. Beneath the apple tree:
there I took you for my own,
there I offered you my hand,
and restored you,
where your mother was corrupted.
24. Our bed is in flower,
bound round with linking dens of lions,
hung with purple,
built up in peace,
and crowned with a thousand shields of gold.
25. Following your footprints
maidens run along the way;
the touch of a spark,
the spiced wine,
cause flowings in them from the balsam of God.
26. In the inner wine cellar
I drank of my Beloved, and, when I went abroad
through all this valley
I no longer knew anything,
and lost the herd that I was following.
27. There he gave me his breast;
there he taught me a sweet and living knowledge;
and I gave myself to him,
keeping nothing back;
there I promised to be his bride.
28. Now I occupy my soul
and all my energy in his service;
I no longer tend the herd,
nor have I any other work
now that my every act is love.
29. If, then, I am no longer
seen or found on the common,
you will say that I am lost;
that, stricken by love,
I lost myself, and was found.
30. With flowers and emeralds
chosen on cool mornings
we shall weave garlands
flowering in your love,
and bound with one hair of mine.
31. You considered
that one hair fluttering at my neck;
you gazed at it upon my neck
and it captivated you;
and one of my eyes wounded you.
32. When you looked at me
your eyes imprinted your grace in me;
for this you loved me ardently;
and thus my eyes deserved
to adore what they beheld in you.
33. Do not despise me;
for if, before, you found me dark,
now truly you can look at me
since you have looked
and left in me grace and beauty.
34. The small white dove
has returned to the ark with an olive branch;
and now the turtledove
has found its longed-for mate
by the green river banks.
35. She lived in solitude,
and now in solitude has built her nest;
and in solitude he guides her,
he alone, who also bears
in solitude the wound of love.
36. Let us rejoice, Beloved,
and let us go forth to behold ourselves in your beauty,
to the mountain and to the hill,
to where the pure water flows,
and further, deep into the thicket.
37. And then we will go on
to the high caverns in the rock
which are so well concealed;
there we shall enter
and taste the fresh juice of the pomegranates.
38. There you will show me
what my soul has been seeking,
and then you will give me,
you, my life, will give me there
what you gave me on that other day:
39. the breathing of the air,
the song of the sweet nightingale,
the grove and its living beauty
in the serene night,
with a flame that is consuming and painless.
40. No one looked at her,
nor did Aminadab appear;
the siege was still;
and the cavalry,
at the sight of the waters, descended.
1. These stanzas begin with a person's initial steps in the service of God and continue until the ultimate
state of perfection is reached, which is spiritual marriage. They refer, consequently, to the three states or
ways of spiritual exercise (purgative, illuminative, and unitive) through which a person passes in advancing
to this state, and they describe some of the characteristics and effects of these ways.
2. The initial stanzas treat of the state of beginners, that of the purgative way.
The subsequent ones deal with the state of proficients, in which the spiritual betrothal is effected, that is, the
The stanzas following these refer to the unitive way, that of the perfect, where spiritual marriage takes place.
This unitive way of the perfect follows the illuminative way of the proficients.
The final stanzas speak of the beatific state, that sole aspiration of a person who has reached perfection.
on the love songs between the bride and Christ, the Bridegroom.